Wednesday, October 10, 2007

4 Months, 3 Weeks and 2 Days

That would be about 144 days, right?


Mungiu got my attention from the moment I noticed Gabita was waxing her legs. 144 days pregnant, in deep shit, therefore, and the woman was WAXING HER LEGS! I sank in my chair. This had got to be good. Her play with the stupid plasticized table cover (Oriental sounding "mushama" in Romanian, an ubiquitous object that some have come to integrate into the Romanian quirkiness of being) was also gripping. Then Otilia took over and started to show us what it meant to find your way in Communist Romania, to fly under the radar, like most people did, as it had become their second nature.

So I knew I was in for a treat if the entire movie would be generous with such insights into the darkness of Romanian communism and the curses it had bestowed on people's approach to sexuality and reproduction.

Come to think of it, the curses still exist, only they have metamorphosed. For instance, check out the reaction of some regular American fellas upon discovering "Libertatea" online. And remember that "Libertatea" is the top selling daily newspaper in Romania, at quite a distance from its "normal" follower, "Jurnalul National".

Another intriguing possibility is that these curses had less to do with communism and more with the way Romanians relate to sexuality and its...well, consequences. This may have brought them into those depths of cynicism when abortion was forbidden. The fact that a law passed there, be it by the Communists, restricted both contraceptive methods and abortion may be an indication that all is not kosher in this domain. The brimming orphanages that brought Romania to worldwide attention may slap the same cynical accusation on Romanians. If all truth be told, even the chilling statistics showing that so many women still consider abortion an OK contraceptive method in that country deserves its own movie, but hey, that would be even more painful to watch, right?

Yes, it is a movie about how cynical people can become. True, the system has its part in it. But then again, it takes people to build the system, etc. And people who think they can mess with entire communities' bodies and life-giving decisions grow everywhere, even as we speak, right? Which gives this movie its instant and indisputable universal appeal. It cuts to the bone, it goes where no movie has gone before, it takes upon itself to show us a story about abortion as up close and personal as it can get (while still keeping its PG ratings, and this is, I think, why the camera stops following Otilia, for the first and only time during the movie, and sticks demurely with Gabita during the sex scene between Otilia and Bebe)

They say that Bebe was a monster in the movie. He could have been tons more monstrous. For instance, he was downright considerate when he chose to have sex with each of the women, I mean, separately. I disagree with CTP's assessment that "a nice looking fellow" like Bebe could have found willing sexual partners for a fistful of lei in any student dorm. I don't know where he got that from, he is way too jaded! But indeed, the enticement could have been a lot more serious had he gone to the bottom of male fantasies on the subject. Maybe the real life Bebe had, back then, who knows... But what would have Mutu's camera done in that case? Good point. And how about the ratings? Okay...

To me, the biggest, most offensive monster was off-screen, all the time, and was never even referred to. He was the Unspeakable, Unmentionable one. Very cool. I refer, of course, to the co-author of Gabita's pregnancy. Now, if he were "unknown", that would shorten the distance between him and the occupant of the second place in monstruosity, Gabita herself. But she was the empathetic kind, a female Hannibal, minus the intelligence. Then came Mr. Bebe, a monster by vocation and choice, and finally Otilia, who was initiated to being a monster during the events pictured. We could safely state that this is the theme of the movie -- how a woman is turned into a monster, slowly but surely, given the "right" constraints and a series of choices "between two evils" she needs to assume.

I'm sick of hearing everyone what a hero Otilia was and how grand her gesture, her self-sacrifice. She was a flawed human being herself. She couldn't have been otherwise, monsters need soft moral tissue to develop... But we can't help but empathize with her because of her good side, as she is so selflessly taking action to help out her friend in need.

She's a great main character, that I'll give her. However, she DID HAVE CHOICES when it came right down to the aforesaid sacrifice. Mungiu didn't close off her every exit, and he didn't because he obviously couldn't have. Yes, they had paid in advance some nights at the hotel, so money would have been lost there. Not a great fortune, but a considerable amount, let's say, the amount a Romanian student would have needed for food for a month, back then. There WERE other possibilities to be explored in terms of potential abortionists -- not to mention the idea that the pregnancy should have been kept at that point, never mind that... Otilia, finding out herself under pressure about the real advancement of the pregnancy, doesn't even think to ask -- "Hey, are you sure?". However, she does decide to commit "the sacrifice".

Hers was therefore a cold and calculated management decision. Otilia struck me as a great manager, by the way. She is DRIVEN. We like these people in today's pressed for time world. She takes action. She is astute, too, as she negotiates the hotel room, her way out of the bus crisis. (By the way, why be dishonest there? I told you, she's not perfect. Bus tickets cost next to nothing back then and students had reduced fares, etc. Busted, Otilia!) She tries telling Mr. Bebe that she is having her period to extract herself from the situation. However, she might have told the truth there, as testified later by her boyfriend, Monster No.5, who had not protected her during their latest lovemaking session, even under the "menace" of fertility... Which makes Otilia safe from "perpetuating the cycle of unwanted childbearing" by saying yes to Bebe, with a chance of having been already pregnant by her boyfriend. So it was, after all, the immediate way out (and time was of the essence) IF ONE COULD LIVE WITH IT.

Thus, Otilia chooses to prostitute herself to minimize the hassle and improve the chances of success of the task at hand, which is helping Gabita get rid of her unwanted pregnancy. Her management abilities combined with an openness to moral compromise (undoubtedly honed by the system) pushed her to this NON-OBLIGATORY decision.

It's all relative, some people sleep their way to the top of corporate ladders, or to get a part in a movie, so this is quite heroic, by comparison, right?

Once you accept that, it's all good. The movie, I mean. But if you insist to imagine Otilia as a saintly, perfect woman, all dedicated to her friendship with the moronic Gabita, well, then good luck suspending your disbelief, because you'd have to...

In conclusion, this is a genre movie, a monster movie, with suspense and all that. :) Seriously now, in spirit and emotions stirred, it is the absolute opposite of a romantic comedy, if you will. A "romcom", as in "ROManian COMmunism" horror... It's also a "buddy love" act, with a hint of "dude in trouble". Well done!

Yes, it made me think about things. Yes, I applaud it and the scandal/discussions it aroused.

But when I came out of the cinema hall, I envied the people who were in line to see "The Bourne Etc."

"432" is not entertainment, it's truth and pain administered via a good story. A movie one pays to suffer through, while Mungiu delivers unwanted truths about human lows. Which, at some level, turns him into a kind of Mr. Bebe...

And if you think this is a cruel joke, I say it was my tiny revenge for the extra time endured by us all in front of the screens, as this film could have been shorter by 30 minutes at least, just like its Romanian predecessor in examining human bodies and minds dishonored by cruel systems, "The Death of Mr. Lazarescu" by Cristi Puiu.


Monday, July 30, 2007


I have this new theory: that Romanians are the greatest communicators on Earth.

I have spent a few weeks there this time around. And I am in love with the very people that originated ME. How lucky is that? What were the odds, I ask bombastically?

They have this saying that goes "Romania is a beautiful country, too bad it's inhabited". (Don't they say that about France, too?) Anyway, it makes me mad: no, Romania's natural beauty is not really that great. And, on the contrary, the people are so warm and friendly and funny and bizarre and crazy that they are indeed Romania's only claim to fame.

They have started to learn to put that on camera -- and they bagged the big prize in Cannes -- and kudos to that wonderful Mungiu for an important story, fantastically told. My take: this is only the beginning. This amazing people will be known for its quirky, bizarre and deeply disturbing human rawness and its unique way of coping-by-communication.

I remember being slightly amazed at how the Internet made its debut in Romania: at the Net Cafes everywhere, people were busy... chatting! IRC channels open, they were tirelessly meeting one another and yakking away. Or the mobile phone craze! Everyone has a few of those, and they keep chatting and chatting. They can't keep their mouths shut or their fingers still, they have to communicate to one another, day in, day out. A latin people, granted, but... There are no limits!

Remember those TV channels I was upset about? Now I GET them better. People chatting, everywhere you turn, they can't help themselves. I suppose there are TV channels that nobody tunes into, but still those TV talk shows will be on because those people have to express themselves, and they'd do it anyway, so who cares how many cameras are on them, and if you pay them to talk to each other, sure, they'll take it! That's the spirit of many, many TV stations. It's a non-stop, non-alcoholic (although I can't be 100% sure) happy hour on air.

And the level of detail and intimacy! Californians have a way to go before they touch this! Any taxi driver will dive right into their heart and souls and pour their private life stories if only you make a slight remark they can latch on to -- or, alternatively, you can bare yours for them, they'll listen intently. And then repeat it to the next customer. Everyone is everyone else's shrink there. Total therapy -- or an exasperating madhouse, it depends on one's mood.

I love it how the terraces are full of people. I hadn't realized that, since for quite a few years I had come there in winter. People seem to have quite a bit of money in Bucharest. And the restaurants have improved vastly. Atmosphere, service, everything is quite alright. Almost as good as Prague, only the beauty is missing and some extra traffic and pollution occur. But hey, then... There are the Romanians! The big Communicators! English everywhere, French quite often, Italian understood, and now even Spanish is no longer that uncommon. You can't find that in Prague, you can't compare the two!

So, to the accidental tourist who may happen upon my words: if you're moved by beauty and loftiness, and the party life is secondary or has to happen in such surroundings, by all means, do Prague and be happy. But if you're looking for quite possibly the coolest people, the warmest, funniest, bend-over-backwardest for their guests and really happy to talk to you about themselves, yourself, their country, your country, other people's countries, selves, TV series, whatever -- come to Romania and you'll be sure to have a blast! Just make sure to do your homework right -- a few good addresses, and you'll be set for meeting the COMMUNICATORS!


Monday, April 9, 2007

The "Out-of-Country" Experience

Why is there nobody in the Romanian streets, these days? As in "protesting"?

Yes, yes, I've read the news. Several weeks' worth. That's why I am addressing rhetorical questions here.

I was blissfully clueless regarding the current political situation, while still keeping in contact with a lot of friends over in Romania, until one of them asked:

"How does all this new Romanian shit reflect over there?"
"What happened?"
"You don't know?"

No, I didn't know. And yes, I do now. And no, it fucking makes absolutely no sense to me why nobody told me earlier or how faint and scarce are the voices raised against this outrageous state of events. Are you all mad?

Tariceanu? Geoana? Patriciu? Orban? Antonescu? HELLO! It is a considerable shame that these people ever reached a modicum of success under your watch -- but for them and countless others like them to have become your lords and masters, whether you voted them or not... Excuse me, your eyes were wide shut a little too long.

How do you people just live your lives as if nothing were the matter? You are being successful, you're making money, you're going places, you're having a ball while everything crumbles around you, in that country. How can you let it all happen? You don't even TALK about it anymore! You all have blogs and you are like, la-la-la... Oh, read my witty thoughts, check out this tidbit of cool stuff I just dug out from the net trenches because I'm so in the thick of things and I know where the supremely intriguing images/videos/snippets are, so of course they will all reflect on ME, they identify ME and my bloggin' brand! Or, let's fucking talk about clothes, cuz that's where Romanians suck, man... What a wonderful world this would be if they were all wearing (insert favorite labels here...)


So, dear Romanians-oblivious-to-Romanian-realities, you all left your country while physically there, as it were. Thanks to the Internet and those TV stations (so heavy with entertainment and commercials, who cares how biased the news are!) you are currently enjoying "out-of-country" experiences and cannot give a shit on what's going on in the real world. Panem et circensis galore, so... Wow... Look at you! Just like your parents and grandparents under Communism, only bubblier and happier! See, they only had books and a few old movies to escape into, not to mention the scarce panem at some point... So maybe they're proud of you now, as they watch you grow fat and ignorant to your surroundings, while your country disappears from under your feet, no longer a relevant item for you, able consumers of the world and the world wide web. Why shouldn't they be? Why, why, why?

I just thought I'd meet some of you here and ask you ominously, as in Pink Floyd's "The Wall"...



Monday, March 19, 2007

I Think Blogging Just Died... the hands of TwitterVision.


P.S. I realized what TwitterVision reminds me of: Jake Scott's video for R.E.M.'s "Everybody Hurts". The "camera" movement is there, doing crazy global travelling shots this time and focusing on assorted mug shots with a few words providing unexpected insights into folks' minds -- like the video's "subtitles" did.

The scripted hurting part is missing of course, because people mostly chirp away, they don't get too personal.

Which is good.

And it is REAL, and it is in real time...

Of course it's fascinating.